I walk alone through the streets of Tokyo, like a benign Godzilla without the sharp teeth. Everywhere I go, people stop in their tracks to stare at the six-foot-five gaijin. I do a “smile and wave” like the penguins in Madagascar movie, and start humming on the song “Big in Japan” by Alphaville.

After deciphering the glyphs of the subway map I soon find myself in Shibuya and walk across the famous crossing, the busiest pedestrian walkway in the world. I am surrounded by thousands of strangers who don’t know my name and don’t give a damn.

I order a coffee on second floor and sit by a window seat facing the crossing, sipping my espresso while trying to study the map in my worn Lonely Planet. The crossing below flows like a constant sea of humanity in an ever-changing pattern.

Just a few subway stops to the north, Shinjuku feels like another world. The west side consists of tall skyscrapers, clean but boring. I try to sneak into some of the cool buildings including the Cocoon, but the security guards unfortunately spot me from a mile away (surprise) and kindly advise me to talk to the hand, Godzilla be damned.
I soon get bored at seeing the immaculate palms of security, so I explore the eastern part of Shinjuku as the sun set. This is a completely different story from the stern west side, since it is Tokyo’s liveliest night spot and the location of the notorious district Kabukicho. I walk along the neon-drenched street of Yasukuni-dori Ave, where Bill Murray’s character arrived by taxi in the first scenes of Lost in Translation, and dive headfirst into the maze of small alleys.

This is the Tokyo I was looking for. A shotgun blast of neon, Pachinko and caffeine-fueled chaos. An full-blown assault on your senses. The only thing missing was a large Atari neon sign and a bit of rain to make my Blade Runner fantasy complete.
There are dodgy places found in every nook and cranny in Kabukicho. I pass through noisy Pachinko halls and dodge into a Manga Kissa, where people rent booths to read manga, browse the internet and occasionally take a nap.
The seedy underbelly of Kabukicho includes the Golden Gai area, where I quickly discover that there are lots of places that don’t want foreigners to enter their crammed spaces. A tall moody stranger dressed in black, what could possibly go wrong?
I try to immerse myself in their culture, but it feels very clear that I don’t belong there. Everyone is very polite and “irrashaimasse” is hanging in the air as soon as they see me on the horizon, but as a gaijin one is forever doomed to be left outside their secrets. Especially if you’re tall enough to cash your head into their delicate ceiling ornaments.
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