Just returned from a play of Verdi’s old masterpiece Rigoletto at the Gothenburg Opera. The set was placed in quite a modern time-frame, thus abandoning the centuries-old settings. This made the title character a bit awkward in his role as the “court jester” to the prince. The assassin was great, even though he didn’t have to do more than walk around, looking dangerous. The soprano was quite a crowd pleaser. I failed to feel sympathy for poor Rigoletto this time as well. In fact, he was doomed even before the fat lady sang.